In general, I only knew the so-called geniuses of painting”, he recalls. And I realized that black art existed because, until then, in my childhood universe, there was only what came from Europe, or someone like Portinari, in Brazil. “For the first time I saw the figure of the black person portrayed in a dignified way within History. In the 1980s, one of these presentations marked the future artist quite a bit: the last parade of a Mocidade Alegre triad, on Afro culture, was dedicated to black artists and revered names like Heitor dos Prazeres. Behind her grandmother's house, in São Paulo, there was a prop factory and, as a teenager, she attended samba schools in the company of an aunt and her sisters. Carnival has been in Rosana Paulino's imagination, 55, since her childhood.
0 kommentar(er)
